Archival Notes No. 7
Rivista open-access e peer-reviewed, curata dall’Istituto per la Musica della Fondazione Giorgio Cini. Con un approccio interdisciplinare, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music si dedica alla ricerca sulle fonti musicali dei secoli XX e XXI.
Articoli
- Luk Vaes, «Aus dem Nachlaß»: Sedimentation in Mauricio Kagel’s «Tactil» and «Unter Strom»
- Marco Cosci, Altering «A(lter)A(ction)»? Egisto Macchi Then and Now
- Filipa Magalhães, Constança Capdeville’s Personal Archive: Difficulties in Describing and Documenting Performative Practices
- Luisa Santacesaria e Valentina Bertolani, «Suite “colori”» by Mario Bertoncini: From Performance to Archival Research
- Marco Fusi, Fingers to Sounds, Sounds to Fingers: Creative Interaction with Giacinto Scelsi’s Archival Materials as Means to Devise Performance Practices of His Music
- Landon Morrison, On the Horizon of Digital Technics in Kaija Saariaho’s «IO» and «Nymphéa»
Perspectives
- Marco Angius, ‘E la mente annullata naufraga nel vento’: A New Appraisal of Giacomo Manzoni’s «Parole da Beckett» from the Perspective of a Conductor
Documents and Reports
- Gianmario Borio, «Research-led Performance»: Report on an Ongoing Project
- Luisa Santacesaria e Giulia Sarno, Ctrl+s | Conversations on the survival of electronic music
