Archival Notes No. 3
Rivista open-access e peer-reviewed, curata dall’Istituto per la Musica della Fondazione Giorgio Cini. Con un approccio interdisciplinare, Archival Notes. Source Studies in Twentieth and Twenty-First-Century Music si dedica alla ricerca sulle fonti musicali dei secoli XX e XXI.
Prefazione
Articoli
- Nicolò Palazzetti, From Paris to Rome. Alfredo Casella and Béla Bartók in the Early Twentieth Century
- Federica Di Gasbarro, Igor Stravinsky by Way of Alfredo Casella and Gian Francesco Malipiero
- Christoph Neidhöfer, Character and Form by Way of Integral Serialism: An Analysis of «Fantasia concertante» (1957) by Camillo Togni
- Marida Rizzuti, ‘The Sound of Industry’. Some Reflections on the Genesis and the Content of «Diagramma Circolare» by Alberto Bruni Tedeschi
- Elena Salza, Egisto Macchi and Antonin Artaud: from «A(lter)A(ction)» to «München-Requiem» and Beyond
- Ingrid Pustijanac, Spectral Morphology and Space in Fausto Romitelli’s «Natura morta con fiamme»
Focus
- Gianmario Borio, Music Archives in the Twenty-First Century: The Challenges of Politics and Technology
- Dörte Schmidt, ‘The Darmstadt Events’. Archival Strategies, Music-Historical Work and Cultural-Political Research Perspectives on the Development of the Digital Archive
Documents and Reports
- Angela Carone, Publications and Activities
