Institute of Music
Founded in 1985 by Giovanni Morelli, the Institute promotes scientific research and the dissemination of knowledge across various fields of Western musical culture. Through compositional processes, music theory, musical interpretation, and audiovisual experiences, the Institute is dedicated to the preservation and enhancement of important personal archives, the publication of musicological literature, and the organisation of conferences, seminars, and musical events. It fosters collaborations between public and private entities at both national and international levels.
The Institute’s main research focus is on the sources of musical creation in the 20th century, explored from diverse perspectives. It examines aspects such as the genesis of musical works and events, biographical elements, the history of musical organisations, and the relationships between music theory and practice. In the field of theory and practice of musical interpretation, the Institute offers a comprehensive range of studies, seminars, and masterclasses, linking historical research to theoretical and practical elaboration. These activities address themes and repertoires from different eras, regions, and cultures. Another key area of study is the connection between sound and image in the electronic age. Audiovisual productions, ranging from cinema to installations, are analysed in terms of their structural relationships and communicative methods.
Since 2012, the Institute has been directed by Gianmario Borio.

Musicians during the workshop Research-Led Performance. Conducting Twentieth-Century Music for Ensemble © Fondazione Giorgio Cini
The Institute of Music is dedicated to research, musical interpretation, and the enhancement of 20th and 21st century archives, with a particular focus on works by prominent figures in the fields of music, choreography/dance, and audiovisual media.
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Archival Notes, edited by the Institute and published annually by the Fondazione Giorgio Cini, is an open-access, peer-reviewed journal. Through the Foundation’s music holdings and the analysis of sources preserved in similar archives, the journal presents studies on 20th and 21st-century music sources, encouraging a wide range of disciplinary approaches and perspectives.
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2011 Music and critical editions of Music