Conferences and Seminars – Page 11 – Fondazione Giorgio Cini

Polifonie “in viva voce” 13

Polifonie “in viva voce” is a yearly event organised by the Giorgio Cini Foundation’s Intercultural Institute of Comparative Music Studies in collaboration with the G. Mazzariol Department of History of the Arts and Conservation of Artistic Heritage at Ca’ Foscari University, Venice. After having brought together music groups and scholars from many European regions in previous years, the programme for the 13th edition features traditional group singing from Piedmont. The spotlight will be on the Coro Bajolese, a choir from Bajo Dora, a tiny village of 350 inhabitants situated in the Canavese (an area in the north of the Province of Turin). Founded in 1966, the choir produced a very long and radical ethnographic enquiry into the collective memory and musical traditions of the village. The hundreds of documents collected were then housed in the Centro Etnologico Canavesano in 1975. The choir has performed in a large number of concerts in Italy and Europe highlighting on stage the modes and processes used by rural and mountain societies in the practise of group singing, as mean of binding local communities and giving form to local identity. The collection of songs brings together and reflects very diverse social practices: from work in farm fields, mountain pastures and woods to games and religious practices. Another important aspect in this polyphonic singing is the preservation of the memory of broader historical developments involving events with much wider-ranging repercussions than the direct effects on small communities: the memory of the Great War, the Resistance during the Second World War, the experience of emigration and workers’ protest movements. The programme is divided into two parts: a seminar, involving Amerigo Vigliermo, Maurizio Agamennone and singers from the Coro Bajolese, will examine the musical, anthropological and social aspects of polyphonic singing practices in the Canavese area; and a concert in which the Coro Bajolese will perform the most representative songs from their polyphonic repertoire.

Seminar ore 4pm
curated by Maurizio Agamennone and Amerigo Vigliermo

Concert 6.30pm
Coro Bajolese

Free entrance

For further info:
Istituto Interculturale di Studi Musicali Comparati
tel. +39 041 2710357
musica.comparata@cini.it

Fifth International Conference on the Future of Science

Organised yearly by the Umberto Veronesi Foundation, the Silvio Tronchetti Provera Foundation and the Giorgio Cini Foundation, the International Conference on the Future of Science explores the importance of scientific progress as a way of improving the quality of individuals’ lives, thus placing science at the centre of social debate. The topic for this fifth edition is The DNA Revolution. For three days on the Island of San Giorgio Maggiore, leading world experts will focus on the impact of the DNA revolution in various fi elds: biotechnology; our understanding of the evolution of living beings; the protection of health and the struggle to cure major diseases, the contribution made by the latest research on genetics to our understanding of themes such as evolution and natural selection; agriculture and the management of biological resources; and, lastly, the new bioethical issues raised by the latest discoveries in genetics. Anyone wishing to attend the Conference is required to enrol at www.thefutureofscience.org.

‘Sverre Fehn: a Homage’. A Discussion and Celebration of Sverre Fehn

This event is a discussion and celebration of Sverre Fehn (1924–2009), the Norwegian architect who won the prestigious Pritzker Architecture Prize in 1997 and who is known for his Nordic Pavilion at the Giardini in Venice. The pavilion, which contains three trees that shoot up through the roof, illustrates Fehn’s view that ‘building is a brutal confrontation of culture on nature, and in that confrontation you can find balance and beauty’. As he also said, ‘When I build on a site in nature that is totally unspoiled, it is a fight, an attack by our culture on nature. In this confrontation, I strive to make a building that will make people more aware of the beauty of the setting, and when looking at the building in the setting, a hope for a new consciousness to see the beauty there, as well.’

Born in Oslo in 1924, Fehn studied in Paris with Jean Prouvé and Le Corbusier in the early 1950s. Upon his return to Norway, he studied with Arne Korsmo and in 1958 co-founded the Progressive Architects’ Group, Oslo, Norway (PAGON) in an attempt to promote modern architecture in the country. He was the author of the Norwegian Pavilion at the 1958 Brussels World Exhibition, Belgium, the Nordic Pavilion in Venice, and the Hedmark Cathedral Museum in Hamar, Norway, buildings that combine modern architectural language with Scandinavian forms and materials. Fehn taught at the School of Architecture in Oslo from 1971 to 1995, and in 1997 he was awarded the Pritzker Prize and the Heinrich Tessenow Gold Medal. In his final years he designed the Oslo headquarters of the Gyldendal publishing house, which was completed in 2007, and the Norwegian Museum of Architecture, which opened in March 2008 with a retrospective exhibition of Fehn’s work.

This event will start with an introduction to Fehn’s work by Per Olaf Fjeld, the author of an upcoming monograph on the architect’s work, followed by a discussion with the artist Dan Graham, the architect Momoyo Kaijima (Atelier Bow-Wow, Tokyo), the curator Hans Ulrich Obrist, the architect Gro Bonesmo (Space Group, Oslo) and the architecture theorist Marco De Michelis.


About the Participants



Per Olaf Fjeld
is a professor at the School of Architecture and Design in Oslo, Norway. He has lectured internationally, and in 2004 he was elected vice president of the European Association of Architectural Education (EAAE). Since 1975 Fjeld has run a small architectural studio with his wife, Emily Randall Fjeld, and has written a number of books and articles on architecture. Fjeld collaborated with Sverre Fehn for over thirty years, and his new monograph on Fehn’s work, titled Sverre Fehn: The Pattern of Thoughts, will be released by The Monacelli Press in June 2009.


Dan Graham
is an artist based in New York, USA. Since the mid-1960s, Graham has produced artworks and critical writing of enormous influence within artistic and cultural contexts. His interests range from suburbia and public architecture to punk music and popular culture, which he addresses in performances, installations, essays, videos, films and architectural and sculptural designs. A major retrospective show of his work titled ‘Dan Graham: Beyond’ recently opened at Los Angeles MOCA and will travel to the Walker Art Center, Minneapolis and the Whitney Museum, New York.


Momoyo Kaijima
is one of the two founding members of Aterlier Bow-Wow, an architectural office established in 1992 and focused on urban research, architectural design and the creation of public artworks. As part of Atelier Bow-Wow, Kaijima has designed both private housing and large-scale public and commercial projects, and published books such as Pet Architecture (World Photo Press, 2001) and Made in Tokyo (Kajima Institute, 2001). Atelier Bow-Wow’s work has been shown at international exhibitions such as the 10th Istanbul Biennial (2007) and the 27th Bienal de São Paulo (2006), and has been dedicated the monograph Graphic Anatomy: Atelier Bow-Wow (Toto, 2007). Kaijima teaches at the Univerisity of Tsukuba, Japan.


Hans Ulrich Obrist
is Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London, UK. Prior to this he was Curator of the Musée d’Art Moderne de la Ville de Paris, France since 2000, as well as curator of museum in progress, Vienna, Austria from 1993 to 2000. He has curated or co-curated over two hundred solo and group exhibitions internationally since 1991, including Manifesta 1, ‘Cities on the Move’, ‘Live/Life’ and ‘Utopia Station’. He is the author of, among others, A Brief History of Curating (JRP|Ringier, 2008).


About the Moderators


Gro Bonesmo
is an architect based in Oslo. She is founder of Oslo-based architectural firm Space Group, and a professor at the Oslo School of Architecture and Design. Previously, she was Project Director at Rem Koolhaas’s OMA, and has taught architecture at Harvard and Columbia Universities. She was awarded a Masters of Advanced Architectural Design from the School of Architecture, Columbia University, and is a graduate of the Norwegian University of Technology in Trondheim, Norway. She also studied at the Oslo School of Architecture and Design, where she was taught by Sverre Fehn. Bonesmo is the Chair of the Board for the Office for Contemporary Art Norway.


Marco De Michelis
is a visiting professor at the department of Art History at Columbia University, New York, and professor of the History of Architecture at the IUAV University in Venice, Italy. From 1999 to 2008, De Michelis was dean of the Faculty of Arts and Design at IUAV. From 1999 to 2003 he was the Walter Gropius Professor of history and theory of architecture at the Bauhaus-Universitat in Weimar, Germany and from 1993 to 1996 he directed the Galleria della Triennale in Milan, Italy. He contributes to numerous Italian and international magazines.

For more information on the event or to book a place, please contact Suzana Martins at suzana@oca.no or visit www.oca.no.

Friday, 5 June 2009, 11:00am

Sala Barbantini
Giorgio Cini Foundation
Isola di San Giorgio Maggiore, Venice

Seminar with Gottfried Michael Koenig

Four seminar-workshops on electroacoustic music in a space – the Salone
degli Arazzi – adapted for live music thanks to the installation of an
eight-channel broadcasting system. A group of students or former
students of Alvise Vidolin, who has taught electronic music at the
Venice Conservatory for thirty-five years.
A homage in the workshop spirit of the maestro with performers of acoustic instruments, sound directors, historic
excerpts and new productions. A living space resounding with a “laptop
orchestra”, voices and pieces by established composers, acoustic
instruments and electronic sounds.
On Saturday 11 July the concert for Alvise Vidolin will close the four all-day events serie.


Programma dell’incontro

2.30 p.m. Seminar on the work of Koenig and analysis of the 8-tracks Polychromie.
The softwares developed by Koenig (Project 1 and 2, SSP Sound Synthesis Program,
actual release).

4.00 p.m. Coffee break

4.30 p.m. The space in Koenig multitrack works
The theoretical writings by Koenig.
Interview with Koenig.

6.00 p.m. Listening to music by Gottfried Michael Koenig in multitrack versions:
Klanfiguren II, 1955-56
Terminus 1 and 2, 1962-67
Selection from Funktionen, 1967-69
Polychromie, 2001

7.00 p.m. End of seminar

Biographical note

Gottfried Michael Koenig, born in 1926 in Magdeburg, Germany,
studied church music in Braunschweig, composition, piano, analysis and
acoustics in Detmold, music representation techniques in Cologne and
computer technique in Bonn. He attended the Darmstadt music summer
schools for several years, later as a lecturer. From 1954 to 1964
Koenig worked in the electronic music studio of West German Radio at
Cologne, assisting other composers (including Stockhausen, Kagel,
Evangelisti, Ligeti, Brün), and producing his own electronic
compositions (Klangfiguren, Essay, Terminus 1). During this period he
also wrote orchestral and chamber music (for piano,
string quartet, woodwind quintet).

From 1958 he was an assistant in the radio drama department at the
Cologne academy of music, where he taught electronic music, composition
and analysis from 1962. In 1964 Koenig moved to the Netherlands. Until
1986 he was director and later chairman of the Institute of Sonology at
the University of Utrecht. During this period the Institute acquired a
worldwide reputation, particularly for its annual Sonology course.
Koenig also lectured extensively in the Netherlands and other countries
and developed his computer programs "Project 1", "Project 2" and "SSP",
designed to formalise the composition of musical structure-variants. He
continued to produce electronic works (Terminus 2, the Funktionen
series). These were followed by the application of his computer
programs, resulting in chamber music (Übung for piano, the Segmente
series, 3 ASKO Pieces, String Quartet 1987, String Trio) and works for
orchestra (Beitrag, Concerti e Corali).

Since 1986, when the Institute moved from Utrecht University to the
Royal Conservatory at The Hague, Koenig has continued to compose,
produce computer graphics and develop musical expert systems. The first
three volumes of his theoretical writings were published between 1991
and 1993 under the title "Ästhetische Praxis" by Pfau Verlag; an
Italian selection appeared under the title "Genesi e forma" (Semar,
Rome 1995) . A fourth volume followed in 1999, a fifth in 2002; the
sixth will be a complete thematic index.

In 1961 Koenig received an incentive award from the Federal State of
North Rhine-Westphalia, in 1987 the Matthijs Vermeulen Prize from the
City of Amsterdam, in 1991 the Christoph and Stephan Kaske Prize. In
2002 the Philosophical Faculty of the University of Saarbrücken,
Germany, awarded Koenig an honorary doctorate. In the winter semester
of 2002/2003 he was Visiting Professor for Computer Music at the
Technical University, Berlin.

L’eredità  di Teresa Rampazzi

Four seminar-workshops on electroacoustic music in a space – the Salone
degli Arazzi – adapted for live music thanks to the installation of an
eight-channel broadcasting system. A group of students or former
students of Alvise Vidolin, who has taught electronic music at the
Venice Conservatory for thirty-five years.
A homage in the workshop spirit of the maestro with performers of acoustic instruments, sound directors, historic
excerpts and new productions. A living space resounding with a “laptop
orchestra”, voices and pieces by established composers, acoustic
instruments and electronic sounds.
On Saturday 11 July the concert for Alvise Vidolin will close the four all-day events serie.

Program

ore 14.00 Paolo Zavagna, Introduzione ai lavori

ore 14.15 Laura Zattra, Teresa Rampazzi e la composizione

Teresa Rampazzi (1914-2001) si avvicina alla composizione elettroacustica a partire
dalla fine degli anni Cinquanta. Verranno ripercorsi i suoi principali periodi
compositivi: la composizione analogica (il lavoro con l’NPS, Nuove Proposte
Sonore), la composizione informatica (la collaborazione con il CSC, Centro di
Sonologia Computazionale dell’Università di Padova), la cosiddetta Zimmermusik
(durante il periodo bassanese), con esempi sonori e una discussione sui
risultati della ricerca che Teresa Rampazzi condusse nel campo della
composizione del suono, della notazione, della spazializzazione e
dell’interpretazione dei brani.

ore 15.30 Ennio Chiggio, L’NPS e il problema della notazione

Nel 1965 Teresa Rampazzi e Ennio Chiggio fondarono l’NPS, che operava a Padova con
apparecchiature analogiche e divenne uno dei principali studi assieme all’ S 2 FM di
Pietro Grossi a Firenze e allo SMET di Enore Zaffiri a Torino. Un problema
grandemente dibattuto all’interno del laboratorio fu quello della notazione, ancor
oggi molto sentito tra compositori e musicologici. La testimonianza di Chiggio
presenterà il dibattito che portò il gruppo alla stesura di audiogrammi con griglie per
la notazione dei parametri sonori. L’efficienza di questi si riflette nella ‘trascrizione’
di quei brani con tecnologia digitale.

ore 16.00 Antonio Rodà, Problemi di interpretazione dei nastri magnetici

Verranno presentati e discussi alcuni esempi problematici relativi all’interpretazione
di nastri magnetici tratti dagli archivi del CSC e del Dipartimento di storia delle arti
visive e della musica dell’Università di Padova. I casi di studio riguardano la velocità
e il verso di lettura, lo studio di differenti versioni, la scelta della sorgente analogica,
la scelta dell’apparecchiatura e dei parametri di lettura.

ore 16.30 Gianni Di Capua, Teresa Rampazzi. Fino all’ultimo suono

Verranno fatte ascoltare testimonianze di personalità vicine a Teresa Rampazzi
raccolte in varie interviste in occasione della realizzazione della trasmissione
radiofonica di Gianni Di Capua per Radiotre.

ore 17.30 Ascolto di musiche di Teresa Rampazzi

Dagli archivi del CSC e del Dipartimento di storia delle arti visive e della musica
dell’Università di Padova, si propone l’ascolto di due brani nella versione
quadrifonica.
Digitalizzazione a cura del MARTLab di Firenze.


Fluxus, 1979
Metamorfosi, 1981

ore 18.00 Discussione e termine dei lavori

8 April 2009, 2.00 pm

Salone degli Arazzi
Fondazione Cini, Isola di San Giorgio Maggiore

Free entrance

2009 International Energy Workshop

The International Energy Workshop (IEW) is an informal network of
analysts actively working on international energy issues. The IEW
provides a venue for scholars and researchers to compare quantitative
energy projections and to understand the reasons for diverging views of
future developments. The annual meetings typically include three
plenary sessions and approximately 100 presentations in parallel
sessions focused on a wide array of topics, including energy supply and
price forecasts, energy efficiency, climate change, renewable energy,
and the interface of energy, environmental, and economic issues. The
original idea to establish this international network was introduced by
the late Alan Manne, one of the founding fathers of energy economics
and a long-time professor at Stanford University, who organized the
first IEW in December 1981.

The motivation for the first IEW meeting in December 1981 was partly
inspired by the Stanford-based Energy Modelling Forum (EMF). One of the
EMF’s functions is to compare energy projections. Modelling teams
closely interact to apply their models to the same topic and using a
largely standardized set of assumptions. This type of close cooperation
was beyond the reach of this newly established network that aimed at
analyzing international energy studies. The IEW has therefore taken the
practical approach and asks for the results first and later worries
about the method that led to them without attempting to provide
feedback.

The workshop is structured with one plenary session per day, each one
hosting two key-note speeches of international experts of the research
field. Then, three parallel sessions will be held at each time slot
with 3 or 4 presentations each. The aim is to select about 85 papers
out of the applications. Furthermore, a welcome cocktail and a social
dinner will be organized respectively on June 17th and June 18th.
Coffee breaks and lunches will be provided within the workshop.

Steering Committee

Joe Aldy, Resources for the Future, and Leo Schrattenholzer (Spokesperson), IEW Co-directors
Fatih Birol, International Energy Agency – alternate: Laura Cozzi
Carlo Carraro, Fondazione Eni Enrico Mattei, University of Venice, Vice Chair, IPCC Working Group III
Alison Hughes, Energy Research Centre, University of Cape Town
Shunsuke Mori, Tokyo University of Science
Holger Rogner, International Atomic Energy Agency – alternates: Mark Howells and Ferenc Toth
Giancarlo Tosato, Energy Technology Systems Analysis Programme
David Victor, Program on Energy & Sustainable Development, Stanford University
John Weyant, Energy Modeling Forum

More info

Coalitions for Climate Cooperation. A Game-Theoretic Analysis of Post 2012 Climate Policy

The goal of keeping climate change to manageable levels (e.g. limiting
global average temperature increase to less than 2°-3°C compared to
pre-industrial levels) cannot be achieved by a single country. Global
action and cooperation are necessary, yet some countries, in both the
developed and developing world, have been reluctant to adopt binding
emission reduction commitments. Limited participation in climate change
policy agreements vitiates the effectiveness of actions taken by
countries implementing emission reductions, and it magnifies the global
costs of climate stabilization. Starting from the current debate on the
design of mechanisms to enhance participation in climate control
cooperative efforts, this workshop aims to bring a broad audience of
selected international researchers working in this field, albeit from
different perspectives. A diversity of viewpoints will promote the
exchange of recent research and may lead to concrete policy proposals,
as well as opportunities for subsequent collaboration.

More info

The Economics of Adaptation to Climate Change

The aim of this workshop is to gather leading researchers actively
engaged in the study of the economics of adaptation to climate change
to critically review the methodologies used in their analysis and to
evaluate further developments or new approaches that would make it
possible to address questions that still remain unanswered. Particular
emphasis will be given to the long/short term and local/economy-wide
dimensions of adaptation strategies and to new methodologies that are
capable of addressing the shortcomings of the first generation of
studies on adaptation.

This two-days workshop will be structured into four sessions with ample
time for presentation (45 min) and discussion (30 min). Invited
speakers will present recent advancements in their field of research
and will critically assess shortcomings and future developments. A wide
range of methods will be explored to provide a wide overview of the
frontiers of the discipline.

More info

LSG

The Books at San Giorgio series continues in the Spring season with the presentation of the latest publications from the Giorgio Cini Foundation.

The meetings will be held on the Island of San Giorgio Maggiore, where leading experts of different subjects will present to the public, together with authors and editors, the latest volumes edited by the Giorgio Cini Foundation.

On 17 March the latest issue of Studi Veneziani will be presented to mark fifty years of the review edited by the Institute for the History of the Venetian State and Society.

Next up, on 24 March the featured book will be Tiepolo. Edited by Giuseppe Pavanello, the work is a collection of writings by Adriano Mariuz on Giandomenico and Giambattista Tiepolo. This is the first title in a series of volumes dedicated to “Writings by Historians of Veneto Art”, promoted in collaboration with the Veneto Region.

Lastly, on 31 March the book Antologia della critica goldoniana e gozziana (“Anthology of critical writings on Goldoni and Gozzi”) by Michele Bordin and Anna Scannapieco will be launched. The book is published in the Cini series “Historic Present”, and was promoted by the Veneto Region as part of the publishing initiatives to celebrate the third centenary of the birth of Carlo Goldoni and the second centenary of the death of Carlo Gozzi.

Percussione iraniana: Zarb 2006 a cura di Bijan Chemirani